Whether I was aware of it or not, otherness has been at the center of my consciousness since the beginning of my artistic career. My early ideals of race and beauty were shaped by and linked through paintings of renaissance artists and photographs in fashion magazines. Those images were mythical, heroic, beautiful, and powerful and embodied a particular status that was not afforded equally to anyone I knew. Those images influenced the way I viewed myself and other African Americans, which led me to investigate the way our identities have been imagined and shaped by societal interpretations of beauty. Having one’s identity dismantled, marginalized and regulated to non-human status demands action. This led me to critically engage image-making in art history and pop-culture, and ultimately grapple with whatever power and authority these images have over the female figure.
My art practice takes on social commentary, critiquing perceptions of ideal beauty. Stereotypes and myths are challenged in my work; I create a dialogue between the ideas of inclusion, dignity, consumption, and subjectivity by addressing beauty in the form of the ideal woman, the Venus. By challenging Venus, my work challenges the notion of universal beauty—making room for women of color who are not included in this definition.
Wading through my work, you must look through multiple layers, double meanings and symbols. My process combines found and manipulated images with hand drawn and painted details to create hybrid figures. These figures often take the form of young girls. I’m interested in the way young girls symbolize vulnerability but also a naïve strength. The girls who populate my work, while subject to societal pressures and projected images, are still unfixed in their identity. Each girl has character and agency to find their own way amidst the complicated narratives of American, African American and art history.
B. Austin, Texas.
Lives and works in Austin, Texas
Roberts is the recipient of the Ginsberg-Klaus Award Fellowship and Presidential Point of Light Award. In 2016 she was awarded a grant from the Pollock Krasner Foundation. Her work has appeared at the Galerie Lelong (NYC), Stephen Friedman Gallery (London), and the Studio Museum in Harlem, NY.